The Economist magazine knew about the coronavirus back in 2018 (PHOTO).

The Economist magazine, published in the United Kingdom, traditionally releases a so-called look at the near future through the eyes of the Rothschilds, who own the publication, on the eve of each year.

The Rothschilds are the most influential clan of financiers whose interests are of a global nature. Their forecasts for the next year are usually encrypted in the form of a cover puzzle.

If you look closely at the cover of The Economist for December 2018, which features a forecast for 2019, you can see that the authors have allocated space for the coronavirus epidemic around the world. Several symbols point to the virus that appeared at the end of 2019. Almost in the center are the four horsemen of the apocalypse, one of whom has always been plague. Next to them is a Chinese panda - an allusion to the word "pandemic" and the place where the virus was detected.

Of particular note is the third horseman, whose name is "Pestilence," whose head is crowned, and whose face is masked! The crown is the same as on the Statue of Liberty. This symbolizes that the coronavirus will have American origins. In fact, the patent for the creation of the coronavirus was issued by the U.S. government to scientists at the Pirbright Institute (patent No. 10,130,701).

In the lower left corner, there is a pangolin - it is considered the focus of the virus's transmission between bats and humans by scientists.

On the sides, there are people with measuring strips on their faces, and on the smartphone in the hands of the Vitruvian man, there is a QR code. This speaks of facial recognition systems and electronic passes that contain all the information about citizens.

All this hints that the coronavirus was initially a well-thought-out plan by the powers that be.