Odesa's Mixed Feelings on Ukraine's 2026 Eurovision Selection Amidst War.

Odesa Residents Share Diverse Views on Eurovision Selection During Wartime

According to Novyny.live: Ukraine's national selection for the 2026 Eurovision Song Contest is unfolding against the backdrop of a full-scale war, profoundly shaping the cultural priorities and sentiments of its citizens. Residents of Odesa have expressed a wide spectrum of opinions regarding this year's competition, with some unable to follow the event due to personal circumstances directly linked to the conflict.

• Lyudmyla, an Odesa resident, stated she did not watch the selection because her focus is on family members serving on the front lines.

  "No, we didn't watch it because our children are fighting, and our minds are elsewhere. Perhaps we should try to live on, as they say, but everyone's personal situation is different—it's an individual choice." - Lyudmyla

• Alina followed some discussions and individual performances but did not watch the entire selection. She believes Mr. Vel should have represented Ukraine, praising his stage presence and vocals.

  "I wasn't following it very actively, but I think Mr. Vel should have represented our country. I liked his performance and his voice." - Alina

• Veronika could not watch the broadcast due to a power outage on the day of the national final. She emphasized the importance of continuing cultural events despite hardships: "There was no electricity. But despite everything, we must carry on. We cannot just fade away—we must continue living. We must think about both the front line and the home front."

• Mykyta, for his part, expressed no personal interest in Eurovision. "I'm simply not interested in it. If people enjoy it—let them perform, it's their right."

• Dmytro argued that Ukraine must continue to develop even under martial law. "In any case, Ukraine must develop even during martial law. Even during World War II, people sang and danced. We also have a right to culture. Therefore, I believe this is appropriate."

• Viktoriya voiced doubts about the costs of such a show during wartime. "I've long thought this shouldn't be held. Such large sums are spent on it every year—it would be better to direct these funds to other needs. There are already so many fundraisers, and people are constantly helping."

These reactions from Odesa residents to the 2026 Eurovision national selection highlight the complex cultural landscape and public mood during a time of war, where daily life has been fundamentally altered.

The situation surrounding the selection process illustrates how the ongoing war impacts both the daily lives and cultural consumption of Ukrainians. For context, Eurovision holds significant cultural importance in Ukraine, a country that has won the contest three times. Many in Odesa, as in other cities, are trying to balance the desire to uphold cultural traditions with the pressing need to focus on wartime realities. These varied perspectives reveal the deep emotional strains caused by the conflict and underscore the enduring role of culture even in the most difficult times.